|'The Magnificent Seven': They Ride Again|
Hombres and women folk hankerin' for a good old-fashioned horse opera with just a touch of newfangled sensibilities might want to mosey on over to a movie theater showing director Antoine Fuqua's remake of "The Magnificent Seven."
It's a rip-roaring homage to John Sturges' 1960 version, the one starring Yul
|'Bridget Jones's Baby': Sweet, Cute and Crawls|
While the average gestation period for human women is nine months (280 days to be specific), it sure seems to take a lot longer in the sweet, cute but oh-so-slow moving "Bridget Jones's Baby."
Folks who just absolutely love this franchise, featuring Renée Zellweger's intrepid single gal, perhaps won't mind the
|'Sully': Down to Earth Ace|
Director Clint Eastwood's "Sully," detailing the little-told backstory of Capt. Chesley "Sully" Sullenberger's "Miracle on the Hudson," is a competently dramatized paean to a very deserving hero, and much more entertaining than I had anticipated.
Sure, Tom Hanks is going to be as good as ever, and
|'Southside with You': A Sensible Romance|
My Dad, a kindly stoic whose inner romanticism made a poignant appearance when the occasion stirred him, was fond of pointing out, if seeing, let us say, a very large woman and a very small man strolling down the street, "See, there's someone for everyone." All of which is my nostalgic, roundabout way of noting the kismet that
|'Sausage Party": Food Orgy|
Contemplating "Sausage Party," an R-rated, animated food orgy in more ways than one, I'm reminded of what a fellow journalist once opined at a block party: "You know what's wrong with you film critics? You see so many movies that when you chance upon something different, you just go crazy."
Thus, I'm proud
|'Indignation': A Fine Sadness|
If you need a very literate affirmation that life can sometimes be brutal, sad, mocking, unfair and heartrending, then director/screenwriter James Schamus' diligent adaptation of Philip Roth's "Indignation" awaits you at the Bijou. You can't help but be mesmerized by the searing, incisive realities Roth mines in his
|'Star Trek Beyond': Once More Into the Allegory|
Justin Lin's "Star Trek Beyond" has a built-in likability factor, just a few notches below Mom and apple pie. Therefore, in the never-ending quest for objectivity in film criticism, the question must be posed: If one had been in a coma since before Gene Roddenberry created the "Star Trek" phenomenon, and upon awakening
|'Ghostbusters': The Graces of Wraith|
"Ghostbusters," the third film in the franchise originated by Aykroyd, Ramis and Reitman in 1984, reboots the saga of paranormal booga booga with four funny ladies starring in what is essentially a séance gone wild. Asserting that anything the male Ghostbusters could do, they can do wackier, it is a movie of moments and ideas,
|'The Secret Life of Pets': Won't be Secret Fur Long|
While "The Secret Life of Pets" isn't quite "Lady and the Tramp" (1955), I've no problem mentioning the two kiddy flicks in the same sentence. Both are proof positive that you can learn a lot from the animals, especially the cartoon variety if they're as lovable as Max, a Jack Russell terrier voiced here by Louis
|'The Legend of Tarzan': Doesn't Monkey Around|
David Yates, director of several "Harry Potter" films, does a respectable job of both preserving and translating for contemporary tastes "The Legend of Tarzan." Although a tad methodical, its high-minded social conscience, solid acting performances and scintillating integration of special effects make up for its occasionally
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