|'The Good Catholic': It's a Matter of Faith|
Filmmaker Paul Shoulberg's "The Good Catholic" is a convenient, pocket-sized edition of ruminations just right for the soul in search of a quick philosophical challenge. While there's nothing new about this tale of temptation and the emotional tumult it sets in motion, the general quality of the human beings it brings to the
|'Tulip Fever': When Speculation Was in Bloom|
A fascinating backdrop for an intricate if not convoluted, seriocomic love story that could have very well been written by Nöel Coward gives director Justin Chadwick's "Tulip Fever" an arthouse cachet. But while patience is a virtue, the esoteric appeal of this costumed affair set in 17th-century Holland may require more
|'Wind River': Opens the Floodgates of Indignation|
Writer-director Taylor Sheridan's "Wind River," a murder-mystery inspired by true events, deserves plaudits not only because it is a skilled piece of filmmaking, but also owing to its eye-opening exposé of the disgraceful socioeconomic conditions on Native American reservations.
While the majority of
|'The Only Living Boy in New York': What This World Needs Now|
Call me a hopeless romantic. It's my excuse for liking and recommending to kindred spirits director Marc Webb's decidedly imperfect, melodramatic and oft soap-operatic "The Only Living Boy in New York."
My justification is in service to the rather dire straits in which our nation currently finds itself.
|'Menashe': The Child is Father of the Man|
While director Joshua Z. Weinstein's "Menashe" is on first blush a touching look into a child custody battle being waged by Menashe, a Hasidic grocery clerk in Borough Park, Brooklyn, further reflection reveals a much larger, equal opportunity meditation about the human condition.
Therefore, just as with the much
|'The Dark Tower': Fighting Horror with Horror|
At best, director Nikolaj Arcel's "The Dark Tower," a sci-fi, fantasy western gleaned from Stephen King's best-selling, eight-volume series, might serve as a vicarious mitigation of the horror currently befalling America. The film is clearly about the war between good and evil, albeit related only coincidentally to the
|'A Ghost Story': Lacks Spirit|
Faced with reviewing writer-director David Lowery's supernaturally obscure "A Ghost Story," my first inclination is to ask myself, 'Why didn't I just see some nice, old-fashioned cowboy movie?' Y'know ... something about the waning days of the Wild West, where there's nothing more symbolic to scrutinize than
|'The Big Sick': Has a Healthy Outlook|
Director Michael Showalter's "The Big Sick," based on Pakistani-born comedian/actor Kumail Nanjiani's real-life story, is often hilarious proof that in jest there is truth. While gleefully verifying that in dedicated hands the classical romantic comedy remains a viable entertainment, this convivial foray into whether or not
|'Baby Driver': Runs on Hi-Test|
Ansel Elgort, who plays the title character in director Edgar Wright's "Baby Driver," stylishly employs an entrancing balletic flair in his hip, post-millennial interpretation of what his generation's consummate getaway man might be like.
Using flashbacks interspersed throughout the action-packed drama to
|'Beatriz at Dinner': Manifesto Under Glass|
There isn't any doubt what writer Mike White had in mind when he penned "Beatriz at Dinner."
His insightful parable, brought to life by Miguel Arteta's skillful direction and a superb cast starring Salma Hayek in the title role, takes place at the very crux of humanity's social ills.
|Page 6 of 10|| 1 || 2 || 3 || 4 || 5 || 6 || 7 || 8 || 9 || 10 || ||